Amateur Music Network presents
Sarah Cahill’s Backstage Pass
guest artist Jason Vieaux, guitar
Sarah Cahill, piano
How does a jazz pianist create a unique arrangement of a standard? Why do notation and improvisation seem like such separate worlds? How does an experimental bassist compose? We’ll explore these questions and more in this new series, moderated by Sarah Cahill, with guest artists demonstrating and revealing the secret processes behind their music.
Each session will break down the barriers of genre and style, communicating the physical, auditory, collaborative, and imaginative creation of a musical performance. The conversations are for a live audience, both in person and on Zoom, and we encourage audience participation with questions and in-person interaction as time permits.
We are especially enthusiastic about bringing together artists from divergent traditions to discover the essence of music across boundaries, and confront the big questions about music, gender, race, education, and community, with plenty of musical collaboration. Our intention is to create a “backstage pass” for our audience, inviting them into a welcoming space for active listening, a glimpse into diverse artistic processes and engaging music-making.
For more information please visit Amateur Music Network.
Who should attend?
If you love music and want to learn more about it, this is for you!
How should I prepare?
No preparation is required! Just come and enjoy a spirited discussion among talented musicians.
Please note: Amateur Music Network makes video recordings of their online workshops. We request if you do not wish your image to be captured in the video that you turn off your camera for the workshop. By purchasing a ticket for this event, you are agreeing that you understand if your image is captured in the workshop video, that Amateur Music Network (AMN) may use it for promotional purposes.
Grammy-winner Jason Vieaux, “among the elite of today’s classical guitarists” (Gramophone), is described by NPR as “perhaps the most precise and soulful classical guitarist of his generation”.
In appearances from New York’s Lincoln Center to Amsterdam’s Concertgebouw and the Seoul Arts Center, Jason Vieaux has cemented his reputation as an artist of brilliance and uncompromised mastery. Cited for his “eloquent and vibrant performances” on disc (Gramophone Magazine) he is hailed as “virtuosic, flamboyant, dashing and, sometimes ineffably lyrical” (The New York Times) on stage.
Sought-after for his extensive concerto repertoire, Vieaux has performed with a long list of orchestras including Cleveland, Toronto, St. Louis, Houston, Columbus, and has made premiere recordings with the Nashville Symphony (Leshnoff Concerto) and the Norrköping Symphony (Beal Six Sixteen). He has worked with renowned conductors including Giancarlo Guerrero, Jahja Ling, Gerard Schwarz, and David Robertson. Vieaux’s passion for new music has fostered premieres from Jeff Beal, Avner Dorman, Vivian Fung, Pierre Jalbert, Jonathan Leshnoff, David Ludwig, Mark Mancina, and Dan Visconti, among many others.
Sarah Cahill, hailed as “a sterling pianist and an intrepid illuminator of the classical avant-garde” by The New York Times and “a brilliant and charismatic advocate for modern and contemporary composers” by Time Out New York, has commissioned and premiered over seventy compositions for solo piano. Composers who have dedicated works to Cahill include John Adams, Terry Riley, Frederic Rzewski, Pauline Oliveros, Julia Wolfe, Roscoe Mitchell, Annea Lockwood, and Ingram Marshall. Keyboard Magazine writes, “Through her inspired interpretation of works across the 20th and 21st centuries, Cahill has been instrumental in bringing to life the music of many of our greatest living composers.” She was named a 2018 Champion of New Music by the American Composers Forum (ACF).
Cahill’s discography includes more than twenty albums on the New Albion, CRI, New World, Tzadik, Albany, Innova, Cold Blue, Other Minds, Irritable Hedgehog, and Pinna labels. Her latest project is The Future is Female, an investigation and reframing of the piano literature featuring more than seventy compositions by women around the globe, from the Baroque to the present day, including new commissioned works.
Sarah Cahill’s radio show, Revolutions Per Minute, can be heard every Sunday evening from 8 to 10 pm on KALW, 91.7 FM in San Francisco. The program focuses on the relationships between classical music and new music, encompassing interviews with musicians and composers, historical performances, and recordings outside the mainstream. Cahill is on the faculty of the San Francisco Conservatory of Music and is a regular pre-concert speaker with the San Francisco Symphony and the Los Angeles Philharmonic. Learn more about Sarah at sarahcahill.com.