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	<title>Post Formats &#8211; Old First Concerts</title>
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	<description>Something New &#124; Something Old</description>
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	<title>Post Formats &#8211; Old First Concerts</title>
	<link>https://www.oldfirstconcerts.org</link>
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	<item>
		<title>The Mike Greensill Big 4 &#8211; Sunday, September 3, 2017 at 4 pm</title>
		<link>https://www.oldfirstconcerts.org/the-mike-greensill-big-4-september-3-at-4-pm/</link>
		
		<dc:creator><![CDATA[Rick Bahto]]></dc:creator>
		<pubDate>Fri, 30 Jun 2017 17:18:35 +0000</pubDate>
				<category><![CDATA[Post Formats]]></category>
		<guid isPermaLink="false">https://www.oldfirstconcerts.org/?post_type=tc_events&#038;p=16781</guid>

					<description><![CDATA[The Mike Greensill Big 4 Mike Greensill, piano; John Clark, bass; Joe Cohen, alto sax; Charley McCarthy, tenor sax/flute A program of new arrangements from the pen of Mike Greensill, with repertoire drawn from that storehouse of magic called the Great American Songbook and Mike&#8217;s own originals. “Among San Francisco&#8217;s many musical blessings, count the sensitivity, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><strong>The Mike Greensill Big 4</strong><strong><br />
</strong></p>
<p><strong>Mike Greensill, </strong><em>piano; </em><strong>John Clark, </strong><em>bass; </em><strong>Joe Cohen, </strong><em>alto sax; </em><strong>Charley McCarthy, </strong><em>tenor sax/flute</em></p>
<p>A program of new arrangements from the pen of Mike Greensill, with repertoire drawn from that storehouse of magic called the Great American Songbook and Mike&#8217;s own originals. “Among San Francisco&#8217;s many musical blessings, count the sensitivity, wit and inventive bounty of jazz pianist Mike Greensill.” Steven Winn, <em>San Francisco Chronicle.</em></p>
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		<title>Kugelplex &#8211; August 11, 2017 at 8 pm</title>
		<link>https://www.oldfirstconcerts.org/kugelplex-august-2017/</link>
		
		<dc:creator><![CDATA[Rick Bahto]]></dc:creator>
		<pubDate>Mon, 08 May 2017 17:04:13 +0000</pubDate>
				<category><![CDATA[Post Formats]]></category>
		<guid isPermaLink="false">https://www.oldfirstconcerts.org/?post_type=tc_events&#038;p=9389</guid>

					<description><![CDATA[Kugelplex Jason Ditzian, clarinet; Dan Cantrell, accordion &#38; piano; Lila Sklar, violin Max Baloian, guitar; Eric Perney, bass; Michael Pinkham, percussion  Kugelplex is California’s rockin’-est purveyor of klezmer and old-world party music. Formed in 2001, the group plays wild, soulful dance music at weddings, concerts and festivals throughout the San Francisco Bay Area, Los Angeles [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><strong>Kugelplex</strong></p>
<p><strong>Jason Ditzian, </strong><em>clarinet; </em><strong>Dan Cantrell, </strong><em>accordion &amp; piano; </em><strong>Lila Sklar, </strong><em>violin </em><strong>Max Baloian, </strong><em>guitar; </em><strong>Eric Perney, </strong><em>bass; </em><strong>Michael Pinkham, </strong><em>percussion</em></p>
<p><em> </em>Kugelplex is California’s rockin’-est purveyor of klezmer and old-world party music. Formed in 2001, the group plays wild, soulful dance music at weddings, concerts and festivals throughout the San Francisco Bay Area, Los Angeles and beyond. We’ve performed with Joan Baez, the Oakland Symphony, the Oakland Interfaith Gospel Choir and Frank London (founder of the Klezmatics) and many other great artists. This concert is supported in part by the SFFCM 2017 Musical Grant Program. For more information please visit <a href="http://kugelplex.com">http://kugelplex.com.</a></p>
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		<title>Le Due Muse &#8211; Sunday July 23, 2017 at 4 pm</title>
		<link>https://www.oldfirstconcerts.org/le-due-muse-july17/</link>
		
		<dc:creator><![CDATA[Rick Bahto]]></dc:creator>
		<pubDate>Sat, 06 May 2017 16:32:20 +0000</pubDate>
				<category><![CDATA[Post Formats]]></category>
		<guid isPermaLink="false">https://www.oldfirstconcerts.org/?post_type=tc_events&#038;p=7412</guid>

					<description><![CDATA[Sarah Hong, cello; Makiko Ooka, piano with special guest Jiwon Evelyn Kwark, violin Rachmaninoff Trio élégiaque No. 1 in G minor Myaskovsky Sonata No. 2 Shostakovich Trio No. 2 Le Due Muse is a cello and piano duo team formed by the bay area cellist, Sarah Hong and her long time duo partner, Japanese pianist, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><strong>Sarah Hong, </strong><em>cello; </em><strong>Makiko Ooka, </strong><em>piano<br />
with special guest</em> <strong>Jiwon Evelyn Kwark, </strong><em>violin</em></p>
<p>Rachmaninoff <em>Trio élégiaque No. 1 in G minor<br />
</em>Myaskovsky <em>Sonata No. 2<br />
</em>Shostakovich <em>Trio No. 2</em></p>
<p>Le Due Muse is a cello and piano duo team formed by the bay area cellist, Sarah Hong and her long time duo partner, Japanese pianist, Makiko Ooka. They return to the concert series with to share the most romantic and passionate cello and piano works by Russian/Soviet composers (more about the performer, visit <a href="http://www.cellistsarahhong.com">www.cellistsarahhong.com</a>) This unique program combines the works of Rachmaninoff whom was considered to be the last of the great Russian Romantic composer, Myskovsky, who is the bridge between Russian Romantic Composers and the Soviet modernist Composers, and Shostakovich, one of the greatest Russian composers of the Soviet period in the 20th Century. The twentieth century was a very dynamic period in the history of Russia. Russia&#8217;s music is imbued not only with the country&#8217;s great suffering, but also of the joys and hopes brought by rare moments of peace and prosperity. The program is a journey reaching backward, from the familiar, harsh realities of the Soviet Union to the age of a gilded Russian aristocracy and unrestrained creativity. &#8220;There is an indispensable measure of suffering even in the happiness of the Russian people, for without it, its happiness is incomplete.&#8221; (Fyodor Dostoevsky)</p>
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		<title>Sarah Cahill &#8211; Friday July 7, 2017 at 8 pm</title>
		<link>https://www.oldfirstconcerts.org/cahill-july17/</link>
		
		<dc:creator><![CDATA[Rick Bahto]]></dc:creator>
		<pubDate>Sat, 06 May 2017 15:55:12 +0000</pubDate>
				<category><![CDATA[Post Formats]]></category>
		<guid isPermaLink="false">https://www.oldfirstconcerts.org/?post_type=tc_events&#038;p=6974</guid>

					<description><![CDATA[Sarah Cahill, piano with special guest violinist Kate Stenberg Luciano Chessa Green Sea West Coast Premiere Ann Southam&#8217;s Glass Houses No. 5 Lou Harrison&#8217;s Grand Duo with special guest violinist Kate Stenberg plus World Premieres by Kyle Hovatter and Ricky Crews Sarah Cahill, recently called “a sterling pianist and an intrepid illuminator of the classical avant-garde” by The [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><strong>Sarah Cahill, </strong><em>piano<br />
with special guest violinist</em> <strong>Kate Stenberg</strong></p>
<p>Luciano Chessa <em>Green Sea </em>West Coast Premiere<br />
Ann Southam&#8217;s <em>Glass Houses No. 5</em><br />
Lou Harrison&#8217;s <em>Grand Duo</em> with special guest violinist Kate Stenberg<br />
plus World Premieres by Kyle Hovatter and Ricky Crews</p>
<p>Sarah Cahill, recently called “a sterling pianist and an intrepid illuminator of the classical avant-garde” by <em>The New York Times</em> and “a brilliant and charismatic advocate for modern and contemporary composers” by <em>Time Out New York,</em> has commissioned, premiered, and recorded numerous compositions for solo piano. Over forty composers have dedicated works to her including John Adams, Terry Riley, Frederic Rzewski, Pauline Oliveros, Yoko Ono, and Ingram Marshall. Cahill has researched and recorded music by the important early 20th-century American modernists Henry Cowell and Ruth Crawford, and has commissioned a number of new pieces in tribute to their enduring influence. She has been touring the country for Lou Harrison&#8217;s centennial and will perform both his piano concertos later this year. For this concert she will perform the West Coast premiere of Luciano Chessa’s <em>Green Sea,</em> the premieres of new pieces by Kyle Hovatter and Ricky Crews, Ann Southam&#8217;s <em>Glass Houses No. 5</em>, and Lou Harrison&#8217;s <em>Grand Duo </em>with violinist Kate Stenberg. For more information please visit <a href="http://www.sarahcahill.com./">http://www.sarahcahill.com.</a></p>
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		<title>Friction Quartet &#8211; Sunday April 2, 2017 at 4:00 pm</title>
		<link>https://www.oldfirstconcerts.org/friction-quartet-sunday-april-2-at-400-pm/</link>
		
		<dc:creator><![CDATA[Matt Wolka]]></dc:creator>
		<pubDate>Sun, 02 Apr 2017 23:00:33 +0000</pubDate>
				<category><![CDATA[Post Formats]]></category>
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					<description><![CDATA[Doug Machiz, cello; Otis Harriel, violin; Taija Warbelow, viola; Kevin Rogers, violin; Special Guests Jodi Levitz, viola; Jennifer Culp, cello Johannes Brahms String Quartet in B-flat major, No. 3, Op. 67 John Halle Spheres (2001, revised 2007) Arnold Schoenberg Verklärte Nacht, Op. 4 Friction Quartet, whose performances have been called “terribly beautiful” (San Francisco Classical [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a class="rdd" href="http://oldfirstconcerts.org/artists/915/">Doug Machiz</a>, <i>cello</i>; <a class="rdd" href="http://oldfirstconcerts.org/artists/906/">Otis Harriel</a>, <i>violin</i>; <a class="rdd" href="http://oldfirstconcerts.org/artists/914/">Taija Warbelow</a>, <i>viola</i>; <a class="rdd" href="http://oldfirstconcerts.org/artists/913/">Kevin Rogers</a>, <i>violin</i>; <b>Special Guests </b><a class="rdd" href="http://oldfirstconcerts.org/artists/229/">Jodi Levitz</a>, <i>viola</i>; <a class="rdd" href="http://oldfirstconcerts.org/artists/716/">Jennifer Culp</a>, <i>cello</i></p>
<p><span class="lh"> Johannes Brahms <i>String Quartet in B-flat major, No. 3, Op. 67</i><br />
John Halle <i>Spheres</i> (2001, revised 2007)<br />
Arnold Schoenberg <i>Verklärte Nacht, Op. 4</i></span></p>
<p>Friction Quartet, whose performances have been called “terribly beautiful” <i>(San Francisco Classical Voice),</i> “stunningly passionate” <i>(Calgary Herald)</i> and “chillingly effective” <i>(San Francisco Examiner),</i> exists to expand the string quartet repertoire and audience for adventurous contemporary music through commissioning composers and performing in underserved schools and communities. Joshua Kosman <i>(San Francisco Chronicle)</i> declared that Friction Quartet is “an artist who should be discovered” and described their performance as “high-octane music making … a fine blend of rhythmic ferocity and tonal flair.” Friction is the second place winner of the 2016 Schoenfeld International String Competition Chamber Division in Harbin, China. They recently gave their Carnegie Hall debut as part of the Kronos Quartet Workshop. They also opened for Kronos Quartet at Z Space as part of Kronos’s “Under 30″ series. Last summer, they were Quartet in Residence at the New Music for Strings Festival in Aarhus, Denmark. Friction will return to the Shouse Institute at the Great Lakes Chamber Music Festival this June. Since forming in 2011, Friction has given 70 world premiere performances and commissioned 32 works for string quartet. Friction received a Chamber Music America grant to commission a piano quintet from Andy Akiho which they debuted in November 2016 with Jenny Q Chai. They have also been awarded grants from San Francisco Friends of Chamber Music and Zellerbach Family Foundation.</p>
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		<title>ZOFO &#8211; Friday June 30. 2017 at 8 pm</title>
		<link>https://www.oldfirstconcerts.org/zofo-friday-june-30-at-8-pm/</link>
		
		<dc:creator><![CDATA[Rick Bahto]]></dc:creator>
		<pubDate>Sat, 25 Mar 2017 03:07:23 +0000</pubDate>
				<category><![CDATA[Post Formats]]></category>
		<guid isPermaLink="false">https://www.oldfirstconcerts.org/development/?post_type=tc_events&#038;p=1943</guid>

					<description><![CDATA[Eva-Maria Zimmermann; Keisuke Nakagoshi, piano Akira Nishimura Samudra Manthan (The Churning of the Ocean Milk) West Coast Premiere Gustav Holst, arr. Keisuke Nakagoshi The Planets Since joining forces as the professional duo ZOFO in 2009, internationally acclaimed solo pianists Eva-Maria Zimmermann and Keisuke Nakagoshi have electrified audiences from Carnegie Hall to Tokyo ,and outside-the-box thematic [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a class="rdd" href="http://oldfirstconcerts.org/artists/121/">Eva-Maria Zimmermann</a>; <a class="rdd" href="http://oldfirstconcerts.org/artists/524/">Keisuke Nakagoshi</a>, <i>piano</i></p>
<p><span class="lh"> Akira Nishimura <i>Samudra Manthan (The Churning of the Ocean Milk)</i> West Coast Premiere<br />
Gustav Holst, arr. Keisuke Nakagoshi <i>The Planets</i></span></p>
<p>Since joining forces as the professional duo ZOFO in 2009, internationally acclaimed solo pianists Eva-Maria Zimmermann and Keisuke Nakagoshi have electrified audiences from Carnegie Hall to Tokyo ,and outside-the-box thematic programming for piano-four-hands. This Grammy-nominated, prize-winning Steinway Artist Ensemble—one of only a handful of duos worldwide devoted exclusively to piano duets—is blazing a bold new path for four-hands groups by focusing on 20th and 21st century repertoire and by commissioned new works from noted composers each year. This concert will feature the West Coast Premiere of <i>Samudra Manthan (The Churning of the Ocean Milk),</i> a newly commissioned five-movement work by Japanese composer Akira Nishimura. <i>Samudra Manthan</i> is one of the best known episodes in Hindu mythology where gods and demons try to extract the Amrita (drink of immortality) from the ocean. Akira Nishimura&#8217;s piece is very smartly and beautifully written for piano duet, using the four hands in many different innovative ways. The program also includes <i>The Planets</i>, Gustav Holst&#8217;s seven-movement orchestral piece arranged for piano duet by Keisuke Nakagoshi. For more information please visit <a href="http://www.zofoduet.com/" target="_BLANK">zofoduet.com</a>.</p>
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		<title>The Leaf Trio &#8211; Sunday, April 22, 2018 at 4 pm</title>
		<link>https://www.oldfirstconcerts.org/the-leaf-trio-sunday-april-22-at-4-pm/</link>
		
		<dc:creator><![CDATA[Rick Bahto]]></dc:creator>
		<pubDate>Sat, 20 Jan 2018 00:50:27 +0000</pubDate>
				<category><![CDATA[Post Formats]]></category>
		<guid isPermaLink="false">https://www.oldfirstconcerts.org/?post_type=product&#038;p=22107</guid>

					<description><![CDATA[The Leaf Ensemble is a classical ensemble whose mission is to rejuvenate and restore the human spirit, and thus, preserve and protect the spirit of the earth through the power of beautiful live performance. As such, proceeds from every concert go towards charitable foundations that serve to protect and preserve the earth's forests, oceans, and improve the quality of life of the disadvantaged.]]></description>
										<content:encoded><![CDATA[<p><strong>The Leaf Trio<br />
</strong><strong><em>Earth Day Celebration</em></strong></p>
<p><strong>Sue-Mi Shin, </strong><em>violin; </em><strong>Michelle Kwon, </strong><em>cello; </em><strong>Yu-Ting Chen, </strong><em>piano</em></p>
<p>Ludwig van Beethoven <em>Piano Trio in D major, Op. 70, No. 1, &#8216;The Ghost&#8217;<br />
</em>Johannes Brahms <em>Trio in C minor, Op. 101<br />
</em>Camille Saint-<span class="st">Saëns <em>Piano Trio No. 1, Op. 18<br />
</em>Astor Piazzolla <em>Primavera Porteña</em></span></p>
<p>The Leaf Ensemble is a classical ensemble whose mission is to rejuvenate and restore the human spirit, and thus, preserve and protect the spirit of the earth through the power of beautiful live performance. Members include local chamber and solo musicians Sue-Mi Shin, Michelle Kwon, and Yu-Ting Chen, who actively perform in the San Francisco Bay Area, and share a passion for education, conservation, and charitable work. As such, proceeds from every concert go towards charitable foundations that serve to protect and preserve the earth&#8217;s forests, oceans, and improve the quality of life of the disadvantaged.</p>
<p>Leaf Ensemble members have received degrees from Yale University, Manhattan School of Performance, University of Washington, Stanford University, and the San Francisco Conservatory of Music. They perform both nationally and internationally, and music has brought them to over 20 countries in Europe and Asia. As well as having careers in performance and education, the ensemble spends their spare time with family, and frequently enjoys the natural beauty of the earth&#8217;s oceans, forests, and animals.</p>
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		<title>Lacuna Arts Chorale &#8211; Friday, December 15, 2017 at 8 pm</title>
		<link>https://www.oldfirstconcerts.org/lacuna-arts-chorale-2017/</link>
		
		<dc:creator><![CDATA[Rick Bahto]]></dc:creator>
		<pubDate>Tue, 12 Sep 2017 21:17:26 +0000</pubDate>
				<category><![CDATA[Post Formats]]></category>
		<guid isPermaLink="false">https://www.oldfirstconcerts.org/?post_type=product&#038;p=19304</guid>

					<description><![CDATA[Lacuna Arts Chorale returns to O1C for the third year in a row with another unusual and innovative holiday program, with a program of madrigals (and a mass!) by Hans Leo Hassler, Thomas Weelkes, Reynaldo Hahn, and Emma Lou Diemer.]]></description>
										<content:encoded><![CDATA[<p><strong><em>Winter Madrigals (and a Mass!)<br />
</em></strong><strong>Sven Edward Olbash, </strong><em>Director</em></p>
<p>Hans Leo Hassler <em>Missa Dixit Maria</em><br />
Thomas Weelkes<em> Five Madrigals</em><br />
Reynaldo Hahn <em>Chansons et madrigaux<br />
</em>Emma Lou Diemer <em>Three Madrigals</em><em><br />
</em></p>
<p>Lacuna Arts Chorale returns to O1C for the third year in a row with another unusual and innovative holiday program.  Madrigals by Emma Lou Diemer set familiar Shakespeare texts including the chilly <em>Blow, blow thou winter wind</em> and <em>When icicles hang by the wall</em> in contemporary musical arrangements. The program also includes works by Hans Leo Hassler, Thomas Weelkes, and Reynaldo Hahn. Lacuna Arts is a San Francisco-based 501(c)3 nonprofit organization dedicated to promoting excellence in vocal and choral music through performance, education, and community outreach. In medieval music, a <em>lacuna</em> is a gap or missing section in a particular manuscript. Under the artistic direction of Sven Edward Olbash, Lacuna Arts bridges the gap between large community choruses and small professional choirs in the San Francisco Bay Area.</p>
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		<title>Guillermo Galindo &#038; Lisa Sangita Moskow &#8211; Sunday August 13, 2017 at 4 pm</title>
		<link>https://www.oldfirstconcerts.org/galindo-moskow-august-2017/</link>
		
		<dc:creator><![CDATA[Rick Bahto]]></dc:creator>
		<pubDate>Mon, 08 May 2017 17:22:17 +0000</pubDate>
				<category><![CDATA[Post Formats]]></category>
		<guid isPermaLink="false">https://www.oldfirstconcerts.org/?post_type=tc_events&#038;p=9801</guid>

					<description><![CDATA[Guillermo Galindo, guitar &#38; electronics; Lisa Sangita Moskow, electric sarod with special guest Jack Foley, poet, and more! Sonic journeys unto uncharted territories blending modified traditional Eastern and Western instruments with electronics and an imaginative integration of alternative non-Western tunings constantly shifting through complex rhythmic undercurrents are just some of the elements that make the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><strong>Guillermo Galindo, </strong><em>guitar &amp; electronics; </em><strong>Lisa Sangita Moskow, </strong><em>electric sarod<br />
with special guest</em> <strong>Jack Foley, </strong><em>poet, and more!</em></p>
<p>Sonic journeys unto uncharted territories blending modified traditional Eastern and Western instruments with electronics and an imaginative integration of alternative non-Western tunings constantly shifting through complex rhythmic undercurrents are just some of the elements that make the musical pilgrimage of Lisa Sangita Moskow and Guillermo Galindo a unique musical experience. Combining their talents for over 10 years these master musicians have created a unique blend that incorporates Western XX and XXI Avant Garde and electronic music with a contemporary interpretation of North Indian classical musical traditions.</p>
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		<title>Ali Paris &#8211; Friday July 28, 2017 at 8 pm</title>
		<link>https://www.oldfirstconcerts.org/ali-paris-july-2017/</link>
		
		<dc:creator><![CDATA[Rick Bahto]]></dc:creator>
		<pubDate>Mon, 08 May 2017 06:49:46 +0000</pubDate>
				<category><![CDATA[Post Formats]]></category>
		<guid isPermaLink="false">https://www.oldfirstconcerts.org/?post_type=tc_events&#038;p=8644</guid>

					<description><![CDATA[&#8220;On so few occasions these days do I attend an event that moves me to tears and shivers ~ from the first 10 seconds last night, I found myself elevated to an overwhelmingly heartfelt state. The music and energy that you and Faisal put out into the world is such a precious gift to us [&#8230;]]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><em>&#8220;On so few occasions these days do I attend an event that moves me to tears and shivers ~ from the first 10 seconds last night, I found myself elevated to an overwhelmingly heartfelt state. The music and energy that you and Faisal put out into the world is such a precious gift to us who feel whole and at home in between the notes. Shukran la illak, ya Ali&#8221;</em> &#8211; Audience member from Ali Paris concert, June 9 at Old First Concerts</p>
<h3 style="text-align: center;"><strong>   Flamenco from North Africa to Andalusia and back</strong></h3>
<p style="text-align: center;"><strong>Ali Paris</strong>, <em>vocals and qanun</em>; <strong>David McLean, </strong><em>Flamenco guitar; </em><strong>Sage Baggott, </strong><em>percussion</em></p>
<p style="text-align: center;">with special guests <strong>Brianna Di Mara</strong>, <em>violin</em> and <strong>Kerensa DeMars</strong>, <em>flamenco dancer</em>.</p>
<p style="text-align: left;">Ali Paris captivates audiences worldwide with his unique fusion of Middle Eastern and Western music styles highlighted by both technical virtuosity and emotional expression. He accompanies his singing with his instrument, the Qanun, a rare Middle-Eastern 76-string zither that dates back to the 14th century. Ali’s music education began at the age of 5 in his native countries of Morocco and Palestine, studying Arabic traditional music with master Simon Shaheen. He quickly became known as a child prodigy, performing great concert halls by age 9 and touring internationally by the age of 11. Since then he has received multiple international awards and has expanded his musical career exponentially, relocating to the United States to earn his degree at Boston’s prestigious Berklee College of Music.  He has collaborated with a long list of world-renowned artists such as Alicia Keys, Quincy Jones, Ashton Kutcher, Jessica Alba, David Broza, Paco De Lucia and Bobby McFerrin. His solo performances have reached diverse audiences from the Newport and Istanbul Jazz Festivals to the White House in Washington DC and the Royal Palace in Jordan to play for both President Abbas of Palestine and Queen Rania of Jordan. He has appeared as a soloist with the Boston Symphony Orchestra, the Michigan Philharmonic and is featured in the renowned Grammy-winning Spanish documentary <em>Entre2aguas,</em> the Hollywood movie <em>Noah</em>, and Forbes concert series. Ali has also collaborated with numerous world-renowned artists to benefit the work of Doctors Without Borders, Save a Child&#8217;s Heart and Keep A Child Alive including a duet song with Alejandro Sanz that has funded numerous humanitarian projects in Africa &amp; the Middle East.</p>
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