Ives Collective – Sunday, October 24 at 4 pm

Ives Collective – Sunday, October 24 at 4 pm

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The Ives Collective presents powerful live music experiences through fresh and informed interpretations of established masterworks and underappreciated gems, in this program featuring works by Samuel Coleridge-Taylor, Erwin Schulhoff, and Johannes Brahms.

This is a hybrid concert - Old First seating is limited to 100 tickets, General Admission: $25
No Senior or Student priced tickets for this event.
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*** LIVE STREAM LINK HERE ***

Ives Collective

Roy Malan, violin
Susan Freier, violin & viola
Stephen Harrison, cello
Gwendolyn Mok, piano 

Samuel Coleridge-Taylor Five Negro Melodies for Piano Trio (1906)
Erwin Schulhoff Duo for Violin and Cello (1925)
Johannes Brahms Piano Quartet No. 3 in C minor, Op. 60 (1875)

The Ives Collective presents powerful live music experiences through fresh and informed interpretations of established masterworks and underappreciated gems. With core members and Artistic Co-Directors Susan Freier and Stephen Harrison, the Collective wants to share their joy in bringing together old friends and new in a variety of combinations to perform the widest possible spectrum of chamber music.

Roy Malan serves as solo violinist with the California Symphony and Opera Parallèle, and was the long-time concertmaster and solo violinist for the San Francisco Ballet. The founding director of the Telluride Chamber Music Festival, he has an extensive career of performance domestically as well as in Canada, Mexico, Europe, Australia, and Africa to his credit. He is also widely recorded on the Genesis, Orion, and other labels, Roy was formerly a member of Porter Quartet, Stanford String Quartet, Ives Quartet, and the San Francisco Piano Trio, among others. Educated at London’s Royal Academy of Music under Yehudi Menuhin, he also attended Juilliard and the Curtis Institute, where he was a student of Ivan Galamian and Efrem Zimbalist (he authored the latter’s biography). Roy currently serves on the faculty of the University of California, Santa Cruz, plays locally with a string quartet, piano trio, and music festival engagements. Roy joined SFCMP in 1976.

Susan Freier, violin/viola, and co-Artistic Director of the Ives Collective, earned degrees in music and biology from Stanford University as a Ford Scholar and continued her studies at the Eastman School of Music where she co-founded the award-winning Chester String Quartet. The Chester went on to win the Munich, Portsmouth (UK) and Discovery Competitions and were the quartet-in-residence at Indiana University, South Bend.

In 1989 Susan returned to her native Bay Area and joined the Stanford faculty and the Stanford String Quartet. She performs with the San Francisco Contemporary Music Players and has been an artist/faculty member at the Newport Music Festival, Garth Newell, Music in the Mountains, Rocky Ridge Music Center, and the Schlern and Orfeo Music Festivals (Italy). Susan teaches and performs at the Mendocino Music Festival, the SoCal Music Workshop and the Telluride Chamber Music Festival.

Stephen Harrison, cellist has been on the Stanford University faculty since 1983. A graduate of Oberlin College and Boston University, he has been solo cellist of the San Francisco Contemporary Music Players since 1985.

Stephen has been on the faculty of the Pacific Music Festival, the Orfeo and Schlern International Music Festivals (Italy) and the Rocky Ridge Music Center. He is currently principal cellist at the Mendocino Music Festival, and performs and teaches at the SoCal Chamber Music Workshop and the Telluride Chamber Music Festival.

Born in New York City, Gwendolyn Mok has appeared in many of the world’s leading concert halls, including the Barbican, Carnegie Hall, the Kennedy Center, Avery Fisher Hall, Alice Tully Hall, Davies Symphony Hall, and the Hong Kong Performing Arts Center. She is frequently invited to play and record with major international orchestras, such as the London Symphony, the Philharmonia, the Hong Kong Philharmonic Orchestra, the Beijing Philharmonic Orchestra and the Residency Orchestra of the Hague.

Ms. Mok is a recording artist for Nonesuch/Elektra, Musical Heritage Society, Musician Showcase Recordings, Cala Records, and EMI. Her highly acclaimed debut CD with the Philharmonia of Ravel’s Piano Concerto in G major on the Cala label was nominated for an Alternative Edison award. A second Cala recording of Saint-Saëns’s Africa—Fantasy for Piano and Orchestra with the London Philharmonic has been equally applauded. Three solo CDs, Ravel Revealed (Ravel’s piano works) and Brahms: Late Piano Works, and Legacy, The Spirit of Beethoven were recorded on historic pianos for the Musicians Showcase Recording label. All three CDs received outstanding reviews and are broadcast frequently around the world. Recently two new CDs have been released: Poldowski Art Songs with soprano Angelique Zuluaga and pianist Gwendolyn Mok on the Delos label and EKTA Trilogy, featuring Mok as soloist on EKTA II, a concerto written for her by composer Brent Heisinger.

As a chamber musician, Ms. Mok appears regularly in the San Francisco Symphony Chamber Music Series, as well as in the San Jose Chamber Society and the Sacramento Chamber Society series. She collaborates often with members of the New York Philharmonic and the Philadelphia Orchestra. A popular soloist with the Symphony Silicon Valley, Ms. Mok co-produced and appeared in four sold-out performances of The Gershwin Radio Hour. In 2016 Ms. Mok was named President’s Scholar by San Jose State University, the highest honor given to an outstanding faculty member for their scholarship and research. Mok was also presented with the Artistic Acheievement Award by the College of Humanities & the Arts in 2008.

Ms. Mok began her studies at the Juilliard School of Music, completed her undergraduate work at Yale University, and earned her Masters and Doctorate at the State University of New York at Stony Brook. She is currently Coordinator of Keyboard Studies at San Jose State University and maintains a busy performing and recording schedule.