Farallon Quintet – November 11, 2016
O1C Artists-in-Residence
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With a libretto that draws on Hegel, Nietzsche and Sun Ra, “goth-postpunk-diva” (KQED) M. Lamar’s song cycle Lordship and Bondage: The Birth of the Negro Superman synthesizes the Negro spiritual, black and doom metal, and contemporary classical opera to engage African Americans’ experiences of enslaved and liberated consciousness. Commissioned and performed with The Living Earth Show, this is the song cycle’s World Premiere.
Composite Identities: The Music of Schulhoff, Frank, and Bartók
Grace Note Chamber Players Claudia Bloom, violin; Geoffrey Noer, violin; Wendy Clymer, viola; Russ Bartoli, cello with special guest Madeline