Abîme des oiseaux (Abyss of birds) for solo clarinet from Quatuor pour la fin du temps by Olivier Messiaen; Four Impressions for soprano and piano by Charles Tomlinson Griffes, text by Oscar Wilde; Images, Book I for piano solo by Claude Debussy; selections from To be sung upon the water song, a cycle for high voice, piano, clarinet, and bass clarinet by Dominick Argento; Sonata for clarinet and piano in B-flat major, Op. 107 by Max RegerThe San Francisco Classical Voice cheered pianist Hadley McCarroll’s “lively and exhilarating” musicianship and clarinetist Robert Bailis for his “sweet, singing tone…and technical wizardry,” while the San Francisco Examiner declared that “Karen Hall’s vibrant voice is a delight.” This afternoon, as The Mirage Ensemble, this trio of crowd- and critic-pleasing performers offers a program of selections from a demanding and entrancing repertoire that spans three centuries.