With a libretto that draws on Hegel, Nietzsche and Sun Ra, “goth-postpunk-diva” (KQED) M. Lamar’s song cycle Lordship and Bondage: The Birth of the Negro Superman synthesizes the Negro spiritual, black and doom metal, and contemporary classical opera to engage African Americans’ experiences of enslaved and liberated consciousness. Commissioned and performed with The Living Earth Show, this is the song cycle’s World Premiere.
Continue readingPiano Party & Champagne Reception – November 6, 2016
A Benefit for Old First Concerts
Continue readingAmaranth Quartet – November 4, 2016
Composite Identities: The Music of Schulhoff, Frank, and Bartók
Continue readingGrace Note Chamber Players – October 20, 2016
Grace Note Chamber Players Claudia Bloom, violin; Geoffrey Noer, violin; Wendy Clymer, viola; Russ Bartoli, cello with special guest Madeline Bloom, piano Béla Bartók Piano Quintet works by J. S. Bach and Ludwig van Beethoven The Grace Note Chamber Players, founded in 2010, is a flexibly-sized ensemble devoted to presenting programs of rare and beautiful […]
Continue readingIves Collective – October 23, 2016
Ives Collective Roy Malan, violin; Susan Freier, violin; Nancy Ellis, viola; Stephen Harrison, cello; Keisuke Nakagoshi, piano Joaquin Turni Il Circulo for Piano Trio, Op. 91 Ernst von Dohnányi String Quartet No. 2 in D-flat major, Op. 15 Gabriel Fauré Piano Quartet No. 2 in G minor, Op. 45 Please join the Ives Collective for performances that […]
Continue reading
